Lucianne Evans
Lucianne Evans
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decades of experience
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"All You Want To Do Is Sing"

Re-Introducing Lucianne

 Lucianne Evans is a jazz and adult-contemporary vocalist whose artistic life spans decades, cities, and creative evolutions. Born and raised just east of Pittsburgh, family lore says that just shy of her third birthday she corrected her grandfather’s off-key rendition of “Take Me Out to the Ballgame,” insisting, “It goes like this.” Her first demo recording led to an appearance at the 2nd International Festival du Jazz de Montréal, a significant early achievement that brought her into the professional arena, where TV performances highlighted her four-octave range, blues-style, and camera-ready presence. Her first band featured young musicians who would later become well-known performers, including pianist James Gelfand. After her success in Montreal, Manhattan was home for several years where she also raised a family. But Asheville, NC an unplanned transition proved to be the start of her most prodigious phase. It was there that she met pianist, arranger, and musical partner Tom Coppola (of SNL and Manhattan Transfer fame). Together they formed Evans & Coppola, a duo that was ubiquitous with the emerging music scene there in the 2000's. Their work emphasized intimate arrangements. Critiqued as "an obvious chemistry between these two performers." The duo received notable critical attention, including praise from Dr. Herb Wong, who described Lucianne as “poetic, sensual, stellar and scorching.” Her recordings appeared on his list of top vocal CDs of the year alongside artists such as Diana Krall, Dena DeRose, and Tierney Sutton.

During this period, Lucianne also presented a Nina Simone tribute concert shortly after Simone’s death in 2003. This performance was well received and led to a larger concert with pianist Keith Davis—one of the few major performances of her early career not involving Coppola.

A significant personal and professional event occurred many years later when Lucianne and Tom Coppola briefly reunited. After more than a decade without contact, they reconnected in person. The meeting was short, but it renewed their musical rapport immediately. Soon afterward, Coppola passed away unexpectedly. The reunion underscored the importance of their earlier collaboration and influenced Lucianne’s decision to archive, preserve, and eventually reintroduce selected Evans & Coppola recordings into her current work for Christmas 2025.

Lucianne’s vocal profile includes tonal warmth, clarity, flexible phrasing, and strong interpretive control. Her background incorporates jazz, pop, chanson, and adult contemporary repertoire, allowing her to move easily between standards, originals, and reimagined material. Her phrasing, intonation, and sensitivity to lyric content have remained consistent hallmarks of her work.

Following the Evans & Coppola years, she spent more than a decade developing a parallel career in the travel industry in her hometown Pittsburgh. She traveled extensively throughout Europe and the Caribbean, standout music cultures such as France and Panama —which later supported her work on French adaptations of American standards.

Her re-entry into studio recording represents an updated stage of her artistic direction. The rediscovery of early 2000s Evans & Coppola material prompted her to integrate archival recordings with new sessions. Her approach includes re-mixing and re-mastering earlier tracks, recording new material, and adding some French language translations. 

Her latest album, For Christmas’ Sake, reflects this combined approach. An American standard never pegged as a Christmas tune is included on this record to suggest that it should be pegged as such fits longside archival Evans & Coppola tracks selected for their musical quality and historical significance. 

Lucianne’s current work emphasizes clear production, balanced arrangements, and a contemporary sound that supports her natural vocal qualities. She collaborates closely with producers and engineers, maintains consistent studio standards, and approaches each project with careful attention to detail. Her background across multiple artistic and professional fields contributes to a focused, organized work process.

Today, Lucianne Evans represents a combination of extensive experience and renewed artistic direction. Her work integrates early accomplishments, later professional developments, and forward-focused musical goals. With each release, she continues to refine her vocal identity and contribute a distinctive presence to the contemporary jazz and adult-contemporary landscape.

Harmony in Pictures: A Photographic Tribute to Music

Lucianne today
Earliest original song from 1985

SONGS

02AndtheAngelsSing.ISRC (wav)Download
09 Bonus Merveilleux - (French Version) (mp4)Download
04SomethingWonderful.ISRC (mp4)Download
06FrostytheSnowman.ISRC (mp4)Download
05MyGrownUpChristmasList.ISRC (mp4)Download
07 Peel Me a Grape for Christmas’ Sake.ISRC (mp4)Download

Album

Explore the world of Lucianne Evans

1. The Christmas Song

This felt like the natural opener, and it simply came out beautifully. Back around 2000, we made a handful of cassettes—yes, cassettes!—to sell at gigs, and of all the Christmas material we captured, this track always stood out.

And there was another reason it had to be here: in my family, our Christmases were pretty idyllic, and Nat King Cole’s recording of The Christmas Song was the soundtrack of Christmas morning. It’s woven into my memories, so including it on this album was as natural as breathing. Enjoy. 🎄

2. And the Angels Sing

I’d loved this song for years and kept it in my repertoire without ever performing it. When I returned from my trip in May, it was sitting on my piano bench waiting for me, and I suddenly thought, this feels like a Christmas song.

The mention of angels feels spiritual, and “long winter nights” brings a romantic warmth. Best known as a Benny Goodman big-band feature, it enjoyed a moment of popularity in France—which made me smile. This is a new recording, not from the Coppola archives, and it was brought fully to life by the wonderful Pittsburgh session musicians. ✨

3. The Secret of Christmas

My mother was an elegant woman, and she gave me the gift of the spoken word. This song was her favorite, so it’s here for her. I taught it to Coppola—what I always called him—he didn’t require much arm-twisting to be convinced of the power of this song. Written by Sammy Cahn, it became one of our shared gems. ❄️

4. Something Wonderful

This new recording brings together two lifelong influences: The King and I and the unforgettable version I first heard from Nina Simone. My take is a gender reversal toward a beloved, about “she,” and although I didn’t expect it to become a smooth-jazz piece, it followed my intention exactly. When Nina Simone passed away, Coppola and I happened to have a long-booked gig in her hometown of Tryon, NC, which became an impromptu tribute filled with people who had known her, some dearly. 💙

5. My Grown-Up Christmas List

Tom Coppola taught me this one—he admired David Foster—and it was simply too beautiful to resist. We recorded it ourselves, and I sometimes think the angels nudged me to sing it again, as if to say, “what’s wrong with world peace?”😇

6. Frosty the Snowman

Such a natural swing tune—beyond playful—and this version really shows Coppola’s superpower. As one reviewer put it years ago, “All the while, Tom Coppola’s left hand strikes bass notes with precise emphasis and he weaves his music around her lyrics with harmony, cohesion, and sophistication.” (Mary Lee Hester, Mountain Press, Asheville, NC and The Mississippi Rag) ⛄️✨

7. Peel Me a Grape (For Christmas’ Sake)

I take no prisoners with my own seasonal lyrics to this Dave Frishberg classic about what I really want for Christmas: luxury, gladsome tidings, and laughter. Christmas can get a bit tedious with all those traditions, so I gleefully mock them all into one big song that hopefully leads somewhere joyful… 😉🎁

8. Hold Back the Rain

Now that you’ve come this far with me on this journey, please enjoy my original from the Evans & Coppola album Flamingo. That record was made in New York and landed on the “Top Vocal CDs of 2002” Blue Chip List in the Jazz Education Journal, alongside artists like Diana Krall and Jane Monheit. Thank you for listening so far — I hope this track earns a special place on your own playlist. 🙏

9. Merveilleux

Probably my favorite morceau (“piece”). On a trip to Strasbourg, I met a wonderful jazz trio playing on the street to promote their private performances. The four of us struck up a dear friendship—something I hadn’t expected—and the experience made me feel that, to be worthy of such French hospitality, I should translate the lyric. My first attempt wasn’t great (my French is intermediate at best), but Jean-Marie Goepfert, the pianist, created the most beautiful Something Wonderful translation I could have hoped for. 💫

Holiday Videos

Ain't it fun to get older? Frosty the Snowman was recorded in 2000, but this little thirty second video is from today.

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